Article 15 : Movie Review, Does It Deliver?

“We became Harijan ( coined by Mahatma Gandhi …used to address untouchables   as people of God ) or bahujan ( many people ) but we never became the people,” says the activist. And, so the Dalits remain marginalized in our Bharat & never mainstream.

The film Article 15 by director Anubhav Sinha  is overflowing with such innumerable dialogues which are right on spot. And there are many scenes, which are symbolic of what is happening in our nation. Article 15 is a fundamental right under the Indian Constitution. It prohibits  discrimination & allows for reservations  for upliftment of the scheduled castes, scheduled tribes, women & children.

This film is said to be inspired by the hanging of two girls in north India. A young IPS (Indian Police Service) appointee, Ayaan (Ayushmann Khurrana)  is posted to a small town in north India. On the first day of his posting, he is prevented from meeting a group of Dalits who are his juniors by telling him that these people are forever complaining about sons & daughters who go missing and then return later. He meets his team and the contractor who is  in charge of setting the toilet in the police chowki. The contractor says that a new WC will be put as the old one has become useless …symbolic of Swachh Bharat. Can a toilet signify cleanliness & that too, in every aspect ?

The two missing girls are found hanging the next day, early morning before sunrise. Their bodies are sent for a post mortem. The lady doctor who is doing the post mortem is under tremendous pressure for obvious reasons. The police force personnel are nonchalant about the death of the girls and keep informing their boss, the young IPS that whatever we may do for them, it hardly matters. A furious Ayaan demands to know, “Who are they?” It is as if even mentioning the names of the marginalized would pollute them.

Ayaan talks to his writer activist wife about the case & she is all ears. The wife is his voice of conscience and he promises that he will do his best. Ayaan is trying to understand why even after half a century of India’s independence, casteism continues to ruin the nation.

Were the girls raped? Can the higher castes rape girls from lower castes even as they say that they cannot drink or eat anything touched by lower caste people? Crimes are always between unequals….the powerful perpetrator/s and the hapless victim/s. And a female and that too a Dalit, means doubly helpless. And a male and from the upper social echelon means doubly dangerous …. even fatal.

There are parallel tracks of a Dalit neta who is a rebel and his love interest. There is another track about an upper caste leader teaming up with the disadvantaged taking undue advantage of the coalition. The coalition wins and yet, can it remain viable, when casteism is lurking beneath the surface? What happens to the young fire brand leader who has gone underground? Does he get his due?

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Amidst all this, the IPS officer is subject to an enquiry as he asked about the caste of his police team members. He is alleged to be partisan. He is suspended. Will he continue with his investigation? And where will it lead to? Will the dead girls get justice ?

All the actors have acted well. Even the tiny role essayed by Isha Talwar as the IPS officer’s wife is portrayed well. The director Anubhav Sinha deserves kudos for highlighting the problem of caste politics & hopefully, the country should start talking about how we can all resolve  casteism.

And as the young neta says, “More people die in gutters than at the borders….” The film depicts that we all have conspired to remain silent even as we see the marginalised being pushed down deeper. We want the disadvantaged to remain stuck in the muck , so  that the most unwanted work  like manual scavenging, deskinning dead animals and the like is done by them.

And unless the marginalized are brought into the mainstream vide  upliftment through reservations , and other means, there cannot  be Sabka Saath, Sabka Vikas. 

First published here.

The image is a still from the movie Article 15

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