There are only 2 things in India that give social mobility - a solid, elitist education (like Radhika Apte's character) or marriage (like Tara Khanna). Made In Heaven does this well.

It misses the mark on its path to bravery. Because it tries but fails to save itself from the biggest, all-pervasive yet most subtle cliches of all when it comes to gender equality.

Swara Bhaskar is not the 'good woman' that a patriarchy loves. This ‘disobedient’ woman doesn’t fit into any convenient moulds, and as such is infuriating in the extreme.

The SMA needs a notice of marriage that is in a book available to the public, but is commonly interpreted as putting up the details of the couple on a public notice board; this can become dangerous.

If only I had taken her seriously, but I was too much in love with my husband. That was the first red flag I should have paid attention to.